This metaphor is meant to illustrate the effects of education on the human soul. Education moves the philosopher through the stages on the divided line, and ultimately brings him to the Form of the Good. Socrates describes a dark scene.
For those of you who do not know who Susan Sontag was, she was an active author, intellectual, playwright, well-known cultural figure, and humanitarian.
She was an "outside-the-box" thinker and thought deeply about culture and values. Basically Sontag is arguing a point that photography is a sort of false way of relating to the world because pictures can be so flawed, in essence, falsely interpreted.
Sontag relates this to Plato's allegory in which prisoner's in a cave see shadows of objects cast on the wall due to a fire, in effect, seeing false images of reality.
To Sontag, photos are just that: I, on the other hand, have more to say about photos and in certain ways, cannot fully agree with what Sontag presents. The psychological aspect of photography Sontag reveals is menacing, showing the hidden desires and motivations behind the action of taking photos.
Sontag's essay overall reveals views on how photography has grimly affected society foreshadowing the consequences of such desperate reliance on photos. Here, Sontag claims that like the Plato's Cave allegory, when anyone looks at a photograph it is only an image of the truth, so what they see is not always entirely true without explanation.
In the Plato's Cave story, the shadows cast upon the wall that the trapped prisoners see are much different than the real objects in front of the fire Cohen. The allegory shows that the prisoners in the cave only see an image of reality which is the shadow, but never the real objects behind them.
Sontag compares the allegory of these shadows to photos and reality, saying that photos are like shadows: Also, photos can be doctored: This example reveals the falseness of photos: Even if someone were to believe a photo's purpose or appearance to be entirely true, it could still, however, be completely false.
She is implying that because anyone can take pictures, society is overrun by photography.
More of an impact on the idea of photography's hold on society is Sontag's view that the mentality which looks at the world through eyes framing potential photographic subjects everywhere had spread rapidly with increasing technological advances of the camera since the mid's Sontag 7.
The saddest and most horrible hold photography has on society Sontag explained is when people have a choice to save a life or to take a photo, they choose the photo Sontag This is due to the importance of recording events in modern society, but I also believe that this means something more: And that is the disturbing part, a picture of anyone can be photo shopped in with a terrible picture, tacked on a wall for some creep to throw darts at, or any other horrible, embarrassing usage of it.
Here, Sontag explains that people tend to take a photo and save the information or appearance of that photo in their mind in order to relate to in real life.
In a way, she is concluding that perhaps people think of photos as a window into how the real world is in actuality, or even save these images, especially of people, to stereotype people and easily organize how reality is in our world of mind-boggling amounts of information.
People want to save these images in their heads in order to sort information to relate to how the world is. The idea of people automatically saving photographic information in their heads may appear gullible, but the motivation of people relying on photos to look into how the world really is, is the need for knowledge in order to survive.
Nobody can survive if they go through life never trusting anything: At this end of the spectrum, deeming a photo completely perfidious would show as ridiculous. Sontag merely tends to examples in which photography influences people in situations where people are faulty in their judgment.
Photography is a social rite, in that cameras go with family life: In many situations, taking photos is expected, or else one is looked down upon.
To assuage anxiety, people, especially tourists, snap pictures to keep as memoirs, and their motivation can even be to, as people from cultures with high work ethics have, is to mimic working, because they feel a need to continue working to avoid feeling indolent.
Sontag is saying that even though to take a picture one must have distance, it still inflates hidden desires, ones that are either sexual or violent. It will always be a knowledge at bargain prices- a semblance of knowledge, a semblance of wisdom: Overall, photos may exist only as a world of images, nothing more: Even though she speaks of what photos mean, she remains biased in her own views of the disadvantages.
New York, Picador, Can We Trust Photos?Acknowledgments. This entry is loosely based on my introduction to a volume I edited, Plato’s Myths, Cambridge: Cambridge University Press, There is some inevitable overlap, but this entry is sufficiently different from the above-mentioned introduction to be considered a new text.
A summary of Book VII in Plato's The Republic. Learn exactly what happened in this chapter, scene, or section of The Republic and what it means. Perfect for acing essays, tests, and quizzes, as well as for writing lesson plans.
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Wheeler's literature students, and it offers introductory survey information concerning the literature of classical China, classical Rome, classical Greece, the Bible as Literature, medieval literature, Renaissance literature, and genre studies.
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Plato's The Allegory of the Cave - Plato's The Allegory of the Cave In Plato’s “The Allegory of the Cave,” he suggests that there are two different forms of vision, a “mind’s eye” and a “bodily eye.”.